How to Pick the Right Musical Instrument for You

You may already know about how powerful music can be. People sing different songs every day and enjoy listening to it throughout the day. Instead of getting distracted, some believe they are better at what they do when there's music in the background.

Others find the soothing sound of music to be effective in putting themselves to sleep.

For these reasons, music enjoyment is considered essential to the well-being of people. So many passionate musicians around the world, novices and professionals alike, enjoy singing or dancing to music. There are some who want to enjoy their favorite tunes more intimately by learning to play a musical instrument.

If you are trying to become the next most admired musician of your generation, it is high time for you to start learning to play a musical instrument of your liking. How do you decide on which to learn, you ask? Here are some tips you may want to consider:

1. Pick the one that excites you


People who are happy and successful in what they do believe that you can never become too good at doing what you love to do. The same principle applies to playing your favorite instrument. Make sure you are more interested in that guitar more than you adore the piano.

Depending on your ability, you can take both but choose the best ones producing a sound that enchants you and best enjoy playing. There may be challenges during the training and learning period, but make it a fun and rewarding activity for you.

2. Consider your skill


Have you heard experts sharing their thoughts about matching what you can do with the choices you have? This applies to selecting an instrument to play. Are you great at strumming or plucking the guitar? Do your hands and fingers seem like they have a mind of their own when you touch the piano?

Does a beat seem to naturally come to you when you hit the drums? Pay attention to what your strengths are, and pick the musical tool that will let you enhance it.

3. Ask yourself: Am I patient enough and truly willing to learn to play this instrument?


Master musicians make it look easy, but the truth is, a great deal of time and effort are necessary to succeed at it. For one, this may entail enrolling in a good school for training. Make sure you have the right attitude for it.

They say you can do everything with hard work and dedication. You will need just that in order to learn how to play your favorite music instrument well.

Give it everything you got so you can be closer to your dream of playing your favorite song in the version of your own for others to love.

Article written by Jesse Burns from MSOM.

How to Choose a Quality Audio Recording Studio

The music industry is not only an artistic and exciting industry, but it also requires that the artist has access to the best creative and professional support services available. Whether you are a band or a single musical performer, you need a quality audio recording studio that will help you create a high quality and award-winning music project.

When choosing a multifaceted, quality audio recording studio in Toronto, it can help ensure your project turns out to be everything you dreamed.

The following is a list of important features to look for when choosing a quality recording studio:

1. Control Room: The control room should be both functional and flexible to be able to effectively handle a wide variety of projects. It should have the most current and state of the art equipment such as high-end microphone pre-amps and high-end reverb processors so that you can create the perfect sound.

The control room should also be designed to with attention to acoustics so that you get the most accurate monitoring of your recordings. The atmosphere should promote creativity and be comfortable with adequate lighting to make long recording sessions enjoyable.

2. Live Recording Room: The live recording room should be large enough to take full advantage of the acoustic environment. It should include several isolation booths with one large enough to contain a drum kit.

The booths should have the best acoustic treatment and soundproofing for vocals, speakers, and guitar amps. It should be able to accommodate such services as narration, voice-over, and post-production.

3. Piano Room: The piano room should be completely soundproof, including the windows, and designed to optimize the acoustics. The piano itself should be from one of the best piano companies - for example, a Bechstein Grand piano - so as to optimize sound for recordings and performance.

4. Multifaceted Production: One of the most time-consuming and expensive parts of a music project is when you have to travel to different locations to complete all of the essential production steps.

A quality audio recording studio will house different departments so that you can complete the project in one location. Such departments can include: graphic design, DVD authoring and CD authoring, DVD duplication and CD duplication, graphic and web design and development, and video editing.

Graphic design services can include creating and editing CD and DVD face prints, adjusting insert layouts, and running compatibility diagnostics. A multifaceted audio recording studio will be able to serve a diverse range of clients for such projects as music production, radio commercials, narration, pod casting, post-production, and educational productions.

A quality audio recording studio will not only have the essential services, equipment, and environment to meet your project needs, but the studio should offer a tour of the facility and provide a free quote estimate. Project-based pricing should also be available.

When searching for the best audio recording studio to meet all of your project needs, booking a studio that offers a wide range of services as well as the best equipment and studio design will go a long way in ensuring that your project is a success.

Article written By Wayne Cowan from Number 9 audio group.

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ABC's of the Music Industry

Music is an art, however, when it comes to the music industry Music is about money!

If anyone or any company feels that your music will not make them money, there will be absolutely no interest in your music. That's it in a nut shell. Remember, to always remember this. The Music Industry is about Money!

There are a few sources of money to be made in the music industry. They include but are not limited to:


· Record sales

· Songs played on the radio

· In movies and television

· Concerts

· Song writing

· Producing

· Merchandising

· Advertising

· CD-ROMs/DVDs

If you are an artist and want to get into the music business, you need 3 very important very good people in your corner batting for you on a daily basis. They include:

· Personal Manager The most of important of the three. They should have contacts in the music industry, keep on eye on all your affairs, advise you on things to do, help promote your music, producers to hire, who to sign with when to go on tour, etc. The personal manager will receive 15% and 20% of an artists gross earnings and have good contacts with record companies A&R, Marketing / Sales, and Promotion departments.

· Music Attorney A good attorney specializing in the music will know how to properly negotiate and structure the deals an artist makes. They should have good contacts and be trust worthy. Expect to pay between 100 and 200 per hour for a good music attorney. If an attorney thinks you will get signed, they forego a set fee and charge a percentage of artist's earnings. In bigger cities, you'll pay more than in smaller cities.

· Music Agent Book concerts and special appearances. A Personal Manager will help the artist with selecting a good agent.

If you blow up and start generating the big money, then a good Manager / Accountant will be needed to handle your tax situation, review royalty statements, financing tours, offer invest advice and how to manage your money.

Getting recognized by mailing your demo to record labels isn't impossible, however, 99.9% of the time your material will not get listened to. Even if you have the best song on the planet, it will not be listened to. Record labels want to limit their liability, so they do not listen to unsolicited music. Record labels don't want to listen to numerous songs and then be held liable if someone claims their material was copied.

If you do decide to mail your CD to record label, send the "solicited" material. First get a contact, preferably an individual in the Artists & Repertoire (A&R) department. Call and first speak to someone. After sending your CD follow up to determine if the targeted individual received your material and another follow up call to determine if it was listened to. Submit 3 to 6 songs and send a bio and picture of yourself. Again this isn't the preferred way to submit your material to major record labels.

Until you have music business advisers in your corner trying to promote you and there is a "buzz" going around about you, your demo will not reach the decision makers at the record labels. Record companies on a daily basis receive thousands of unsolicited CDs. Most likely your CD will be tossed into a bin located in a remote room filled with overflowing bins of CDs.

Record labels like to deal with artists who have a history of record sales. These are artist that may have produced and sold their own CDs locally or regionally. Record labels like to deal with artists who have performed their material and there is this "buzz" going on about them. MC Hammer, before he became famous, performed his own materials and sold his own records until a major record label signed him. MC Hammer had a lot of leverage in negotiating a good contract because he already proved on a local basis he could sell records.

Record companies want to limit their liability. If you are signed, you are considered an investment that will require some money and they want to see a premium return on their money invested in you. The more you can prove that you can sell record, the better chance you can get signed.

If you get signed to a record company, you the artist will go into the studio and record songs for the record company. The record company makes copies of the master recording and ships it to a distributor. The distributor is a wholesaler who then sells the CDs to retail outlets like Best Buy, Sam Goody and Tower Records. The record company then pumps money into marketing by advertising and promoting your music with hopes of selling records, thus making you a superstar and becoming rich!

It is not as easy as it sounds. It takes a lot of hard work by a talented group of people. Everyone has to work together to make this happen. There are usually many people behind the scenes working to make an artist a superstar.

Record companies often categorized into 4 groups: · Major label record companies - have the recording and operating resources to complete all function to sell records. Major label record companies are integrated in that they can handle the promotion, sales, marketing, and distribution to sell music. Major label record companies are Arista, Atlantic, Capital, and Sony.

25 Music Jobs That Most People Don't Know About

You may have heard that music jobs are almost impossible to find, especially if you're young and just starting out. While it may be true that few aspiring musicians will reach the top of the charts, there are hundreds of thousands of music jobs available.

Some are for performers, some for teachers, and some for support staff for musicians and performers. Musicians and others in the music industry may work in production, performance, promotion, and education - even medicine.

I promised you 25 music jobs that most people don't know about - but that's not technically true. Many of these are jobs that people know about - but don't consider when they think of 'music jobs'. Ready for the list? Here we go:

Music Jobs for Songwriters:


A Staff Songwriter works for a record or media company and writes songs for the artists signed by the label.

A Freelance Songwriter writes and markets his or her own songs. Your hours are your own, but you'll have to work a lot of them to get your songs heard.

A Lyricist writes just the words to songs. He may team up with a composer, or be teamed up with one by a music production company.

A Jingle Writer writes those catchy ads that you hear on the television and radio - you know, the ones that get stuck in your head for days. A jingle writer may not become a famous household name - but he or she will always find work.

Music Jobs in Publishing:


A Music Publisher finds and acquires the copyrights to songs with the intent of licensing or selling them to record companies and musicians.

A Copyright/Licensing Administrator ($20,000 - $60,000) manages the licensing and copyrights for a music publishing company.

A Music Editor ($20,000 - $60,000) works closely with the composer to document, organize and time cues for the musicians in a project.

A Notesetter ($15,000 - $50,000) transcribes music from audio to the page.

Music Jobs in the Record Business


An A&R Coordinator (artist and repertoire) finds talent for a record company to sign. His boss is the A&R Administrator, a position that includes planning budgets for artists, managing reps and coordinators and monitoring the expenses on production.

Public Relations music jobs range from assistant publicist to director of public relations. The PR department is responsible for getting the names of the artists on a record company label out in front of the public often. Pay ranges from nothing for an intern to three figures for highly experienced public relations managers.

An Artist's Relations Representative is responsible for maintaining communication and cooperation between the record company and an artist or band.

A Promotional staffer works with radio stations and video stations to get airplay for a label's records.

Campus representatives are promotional agents - but they work directly to promote a record label's products to college students and music retailers. Working as a campus representative is a great way to get your foot in the door at a record label.

Music Jobs in Education


A music teacher teaches music to classes from pre-school through college, with duties varying depending on the age of the classes. In the elementary grades, the music teacher may concentrate on teaching music appreciation and theory, with some teaching of instruments and performance theory. By high school, the job duties are more varied, and may include directing student performances and organizing and directing a band or choir.

A Music Director or Supervisor is responsible for managing and setting policy for music instructors hired by the school department.

Music Jobs in the Ministry may include part time work as an organist to full time work directing a professional choir and the entire music worship for a parish or citywide.